Yours, not to be seen again

From the mind of Guy Maddin, Seances is an indefatigable machine that dynamically assembles films into one-of-a-kind configurations. Your film exists only in the moment; engage it before it disappears.
Interface design of the website opening and closing (visual concept, screen flow, UI, layout, typography, 3D and interaction motion samples) // Interface design of the installation touchscreen

Films by Guy Maddin, Evan Johnson, Galen Johnson // Website and installation production (NFB) by Alicia Smith, Dana Dansereau, Laura Mitchell // Development by Nickel Media // Sound by Galen Johnson, Guy Maddin, Evan Johnson and John Gurdebeke // Interface dynamic text editing by Jennifer Moss

The ghosts of lost films
The premise

Maddin is famous for his infatuation with the tropes, technical oddities and aesthetics of the silent film era, and with Seances he pays homage to those period films that have long been lost.

Robert Everett-Green, Globe & Mail

And with only those — film titles and a few synopses — as inspiration, Maddin and co-creators Evan and Galen Johnson shot a series of short films, designed and scripted to be cut up and recombined to form countless unique narratives.

At the same time, Nickel Media performed some data-magic and built an engine that could assemble a unique never-before-seen film for each viewer, with no rewinding, pausing or sharing permitted. Upon arriving at the website and engaging the machine, the viewer is an active player in the creation of a new film, but, like all lost films, it will never be seen again.

Delirious dreamscapes
Get a taste of the films

The Seances movies are a zany, fervent blend of old and new, full of nostalgia, digital glitches and dirty runaway soundscapes. Take a look:

Video — Seances film trailer

Stills from Seances films

Getting in + getting out
My role

I was invited to join the project with the film engine roughly 60% complete, and was asked to come up with a concept and design for the website’s pre- and post-film experience.

In other words,

  • how to introduce the viewer to the project and their movie, and how mysterious to be at that time.
  • once the film had finished, what would be an appropriate and poignant denouement?
  • what themes and messages to embed in those moments?
  • how much user interaction to build in, versus just asking them to watch?
  • should we match the visual style of the films, or stand apart from it?


After one year online, Seances had attracted over 27,000 users, the film engine had assembled over 1.5 million unique videos, and the project had garnered much attention as a ground-breaking collision of tech and creativity.

A tireless text machine
Final designs (website pre-film)

A morphing, flailing and failing title generator was a simple but effective way to communicate the zaniness and humour of the films, and the infinite, ever-changing, catch-it-while-you-can notions behind the project. The 3D text harkens to a theatre marquee — albeit a fluid one — with the titles looming above as you stand on the street.

Final static design comps, website launchscreen

In an effort to ease into the unique visuals of the movies themselves, we placed random video loops from the film footage behind the title generator. Lastly, we designed a touch-and-hold CTA that requires the viewer to “conjure” their film before it can present itself.

Video — screencast of the Seances website launchscreen

An endless graveyard
Final designs (website post-film)

We called the post-film experience the Graveyard. Viewers could build a synopsis for their recently-completed movie, initiate a tweet of their viewing experience, and witness their one-of-a-kind film added to the endless catalogue of other “lost” films. Finally, they were left to browse the graveyard and get a sense of the number of people who had also been haunted by their own personal Seance. (Note: in the end, the Graveyard’s scope + development was greatly simplified to save time)

Video — design comp / motion sample of the Seances Graveyard

Stills from the Graveyard motion design

Hauntings for everyone
Mobile designs

Seances films are viewable on mobile devices too, though the opening and closing experiences were greatly simplified.

About + credits screens

Ouija board slash crystal ball
Festival installation

The Seances experience also toured as an installation, debuting at the Tribeca Film Festival, where the audience had even more control of the film they were attempting to summon. DJ Pangb